ARQ 44

MAGAZINE ARQ 44 | March 2000

Cinema and photography

Cinema and photography have accompanied us throughout the 20th century, and so, too, has Modernism, with all its variants, derivations and counter-proposals. The former must surely have interchanged with architecture their original ways of seeing the world.
In this issue there are no conclusions, predictions or general visions. What we do offer is a look at works of quality, at an architectonic world whose material is not what we normally publish, and could increasingly become one of architecture’s preferred media.



		MAGAZINE ARQ 44 \| March 2000 Cinema and photography Cinema and photography have accompanied us throughout the 20th century, and so, too, has Modernism, with all its variants, derivations and counter-proposals. The former must surely have interchanged with architecture their original ways of seeing the world. In this issue there are no conclusions, predictions or general visions. What we do offer is a look at works of quality, at an architectonic world whose material is not what we normally publish, and could increasingly become one of architecture’s preferred media.
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